In an interview with Richard Galliano for Tribune to Orleans (02/03/2011) ... I noticed this interesting comment in several respects ...
" Contact with city is the contact with the audience. And I recharge energy from the public. I give him too. "
Interesting, first for what it reveals about the centering almost exclusively on the music ... the city are the spectators ...
Then for what it expresses the relationship public, energy given and received ...
From energy, yes it is exactly a magic effect that his music has on me ... Often I compare some of his works where it seems to detect the influence of Piazzolla, eg "Tango for Claude " or a short piece that I particularly like "Laura and Astor," and I tell myself that if something sounds pulsation tragic master, in R. Galliano, the throbbing gravity is still driven by a kind of burst of energy, between violence and vitality, "Life violence ..."
A positive force ?
I recall a memory, to my early days of teacher trainee, undergoing a speech Inspector General, such recommendations and good word: "What should be offered to young people, they are works positive ..."
At the time (67-69 years!) we sneer a little, timid and nerdy ... judging
I often thought afterwards that term and I was somewhat put the notion to my sauce.
" Positive", it does not perhaps tell the rosewater ...
Though I confess, I have an absolute preference for stories with happy endings, even if priced at improbable endings to Molière (or Maigret, or Agatha Christie) ... sign of a desperate optimism and resurgence fueled by a childhood adventure novels and literature pink?
That may be one reason (but not only!) Which all makes me prefer Zolas " Au bonheur des Dames" ...
"The Plague" never ends not particularly good but it gives me a positive work .. unlike " Nausea" and "C hants de Maldoror " or of "The Metamorphosis " ... The poems by Eluard often haunted by the death celebrate the Phoenix rising from its ashes and spring puddles on the beach. Gainsbourg is not thinking very well, but it instills a reaction force of liberation. The blackness of Zola is sometimes positive when Maupassant always seems a poisonous blackness ... Music Daniel Mille is imbued with a fundamental melancholy but with a melancholy that gives life. This is so the commitment Barboza, of the revolt Chango Spaziuk , and anger beneficent BastaYa! Atahualpa Yupanqui , singing tragic but powerful A Filetta , wrenching trumpet of Paolo Fresu , the bass warm and nostalgic Renaud Garcia Fons , deconstruction firefighter and activist Bernard Cavanna of "Shout Blade" of Maurice Bruno and many other music ... I do not know yet but maybe I'll discover ...
A positive work that would For me a work that gives energy to live ... A work that relates to our lives?
And I find that a text written about the time when I started on my blog, and never published ...
continued ...
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